There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

Here’s part two of our interview with legendary Philadelphia producer Josh Wink, as part of 909originals’ ORIGINS interview series. Part one can be found by clicking here. Q. Your career

The dreadlocks may be long gone, but Philadelphia native Josh Wink remains a dynamic force in dance music, with a back catalogue – Don’t Laugh¸ I’m Ready and Higher State of

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

Canadian-Irish pairing Deadbots have built a reputation for laying down some seriously funky electro pop, and on their debut album, Love Unlimited (released earlier this week, visit www.deadbotsmusic.com to purchase),

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

From the opening bars of Right Here, Right Now to the closing vocal refrain of Acid 8000 – “if this don’t make your booty move, your booty must be dead!”