POSTCARDS FROM 88… Dave Pearce

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Greg Wilson

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Paul Staines

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Mr C, The Shamen

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Colin Dale

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88 – Pete Ward, Awesome 3

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Bill Brewster

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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POSTCARDS FROM 88… Sheryl Garratt

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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The origins of Aphex Twin’s Didgeridoo (and its curious link to Leeds United)…

The enthusiastic response to Aphex Twin’s newest track, T69 Collapse, indicates just how much the electronic music industry has missed Richard D James, who, while aged just 46, has been

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POSTCARDS FROM 88… Danny Rampling

There’s no doubt that the summer of 1988 marked a watershed moment in the history of dance, as the house rhythms of Chicago, artistic exuberance of Ibiza, and electronic soundscapes

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