Categories: ChicagoHouse

So why DID rocker Paul Weller decide to cover one of the all-time seminal house tracks..? [February 1989]

Given that Paul Weller commenced his career in ‘spit n sawdust’ outfit The Jam, before carving out an impressive four-decade indie career, his decision to cover Joe Smooth‘s Promised Land (and make it a hit) in 1989 remains one of the mysteries of the great man’s career…

In February of that year, Weller’s band The Style Council unleashed Promised Land on an unsuspecting British public; a house track that had been published two years earlier by Smooth, a relatively-unknown Chicago producer.

As John Reed recalls in Paul Weller: My Ever Changing Moods, published in 1996 (buy it here), the late 80s saw The Style Council get influenced by “groups such as Blaze, Phase 2, and producers like Marshall Jefferson and Frankie Knuckles,” according to long time Weller compatriot Paolo Hewitt.

“Through their work, Weller had seen how contemporary R&B could be shorn of its increasingly slick nature and returned to its roots with a modern sound and feel. This was where he now wanted to take the Style Council.”

In the same book, Reed says that Weller himself told the Fresh Air fanzine later that year, “I just thought it was a good song,” adding that the original was “a bit under-developed.

“It always sounded like a gospel song to me, the chords and the way the voices were. We didn’t change it that much really, but we just made it more inspirational, more ‘up’.”

Incidentally, following the single’s release – it peaked at #27 in the charts – Smooth himself re-released the original, attaining his highest ever chart position of #56 in the process.

That Joe Smooth’s version is now included in just about every ‘dance classics’ mix is an indication that despite his rock roots, Weller knew a good thing when he saw it.

But just how different were the two versions? You be the judge.

[Kudos to Roland Tamashi and TheStyleCouncilVEVO for the uploads]

Editor

Recent Posts

Orbital’s Paul Hartnoll on the legacy of the ‘Green’ and ‘Brown’ albums

What’s 30-odd years between friends? Pioneering dance act Orbital recently re-released their seminal Green album,…

2 days ago

Leeroy Thornhill set to release new book, ‘Wildfire: My Ten Years Getting High in the Prodigy’

DJ and producer Leeroy Thornhill is perhaps best known for his time as a member…

2 days ago

Roman Flügel releases EP on Erol Alkan’s label, Phantasy Sound

Electronic artist Roman Flügel has made his debut on Erol Alkan's label, Phantasy Sound, with…

2 days ago

New live venue, Outset, set to open in Chicago in June

Chicago's newest live music venue, Outset, located on the outskirts of Lincoln Yards, is set…

3 days ago

Get on the floor… it’s the Long Live House Radio Show

Get your weekend off to the right start with another solid set of quality house music from…

6 days ago

#MyRecordBag – Yet More’s must-have Arabic classics

French/Lebanese producer Yet More has long sought to mix things up – drawing on elements of…

7 days ago